Just a quick update to announce that the Ancient Futures 01 comic is now available to order online along with some of the merchandise that was generated thanks to Kickstarter supporters. There was enough in the piggy bank for printing beyond the fulfillment of the backers, so we are happy to make it available at sevenstudiollc.com
Thanks for your support and I hope to make a habit of posting on my site more often, but for now the best way to keep up with Ancient Futures is by way of the instagram @ancientfutures.byseven and facebook @TheAncientFuturesExperience Thank you for your interest and support!
Steven and I were honored to be on the comic and pop culture podcast Blue Tiger Revenge last night. It was a fun conversation that reveals how Steven and I started working together on Ancient Futures and includes some of Steven’s recitation of the lines from the book. Very entertaining stuff, if I do say so myself. Host Tadd Galusha has been working in comics about as long as I have and we know each other from years back, so he had very specific and relevant questions about the drawing process and working in comics. Check it out here: https://bluetigerrevenge.substack.com/p/18-aaron-mcconnell-and-steven-white
The Ancient Futures Kickstarter is counting down its final hours as I type this, so please hop aboard ASAP if you’d like to support it. We are so grateful to our backers and look forward to fulfilling the rewards in the coming months.
There are still 2 Original Art rewards available to purchase, Ancient Futures artworks drawn by Adam Benet Shaw and Dustin Weaver. This is a unique opportunity and I’m selfishly hoping that someone purchases these so that I can see their artistic interpretations of the characters from the book.
I’m excited to announce the launch of a passion project I’ve been working on for over a year with a writer in Chicago Steven White, aka Seven, on this Valentine’s Day, 2022. What started as weekly zoom meetings to exchange story ideas and concept drawings organically grew into a compelling narrative as characters began to form and ideas bubbled to the surface brought about by the challenging and perplexing times we were experiencing in our collective lives. This story feels very “of the moment” and Seven and I wanted to find a way to bring an audience along with us as it forms rather than keep it hidden away until the entire story has been written and drawn. The hope is to keep it alive and growing in dialogue with reader interaction. Kickstarter seemed like an appropriate choice and so today marks the christening of our ship Ancient Futures as we embark into the great unknown. I hope you’ll check it out and consider joining us on the journey. We have a 40-page Part One that is scheduled to print this spring and ship this summer if the Kickstarter is successful, and we hope it captures your imagination as much as the creation of it has for Seven and myself. Thank you! http://kck.st/3oLKLgi
I haven’t been blogging much over the course of the pandemic, but despite challenging times it has been a productive year for my studio work. I made a conscious choice to step away from illustrating nonfiction graphic novels, the bread and butter of my freelance, in pursuit of fictional storytelling and worldbuilding, a desire I’ve had since I started out as a freelancer about 18 years ago.
One project in particular has taken on an unexpected life of its own. I met a writer online just before the summer of 2020 and we started having weekly zoom meetings. It started as a work-for-hire comic illustration gig, but the organic nature of the collaboration allowed me to invest more heavily into the way the story was being told mainly because I wasn’t working off a script, but rather ideas for scenes and story ideas.
A long story short, the project has evolved into a passion project for me. I’ve put hundreds of hours into bringing it to life and even flew out to Chicago to meet the writer in person. Seven White and I have completed a 40 page Part One of the story we’re telling and the time has come for us to start sharing it with readers. I ask that you consider helping us realize our dream to continue the journey of this project. It’s going to be self-published and creator-owned, so we need the support to make it happen. Pleasesign-up for the email listandfollow the instagram page to stay up to date with our progress. I can’t thank you enough for your support.
Please join us 10th Annual NYCC x MCM Metaverse Charity Art Auction to benefit the St. Jude Children’s Research Hospital!Have Fun. Get Art. Save Lives. You Can Make A Difference!
I’m contributing this piece to the auction going on now. If you’re a fan of the Mandalorian, Cara Dune, and Baby Yoda (and really who isn’t?), and have the means to donate to this worthy cause, please check it out! The details are listed below including a link to all the impressive art available.
This issue is a surprising delight. “Ricardio Arrythmia” turns a simple concept into something simultaneously unusual and slightly moving. McConnell’s art and lettering is a unique twist for Adventure Time, and while some panels almost look like something out of Aqua Teen Hunger Force, that only adds to the charm.
— Jenna Anderson (for Comic Book Reviews at Comicbook.com)
Adventure Time Comics #21 has been available at comic shops for a couple weeks now. This is the first comic work for a licensed property that I’ve written and illustrated. I wasn’t too familiar with the expansive universe of Adventure Time a year ago, but my son and I watched many episodes and had a good time following Finn and Jake through the rich tapestry of the world and its various dimensions. The Adventure Time Comics series, for those not familiar, is a monthly comic book anthology that allows contributing creators to play with the source material and interpret it in any manner they prefer. Once my pitch concept was approved, I was given cart blanche with very little editorial interference. I’m grateful to Matt Levine the assistant editor at BOOM! who thought I’d be a good candidate for the book. I’m also thankful for my sounding boards during the writing process, Jim Berry and Dan McConnell, both of whom contributed ideas to the story.
Now for some preview pages from the 12 page story, and below the color art are some of the original pages for those interested in the process. Further below are some sketchbook drawings that were done in the early stages of development along with rough layouts and miscellaneous scribblings. Cue the intro song to Adventure Time and “come along with me…”
If you’re in New York and headed for the Comic Con, you can find me in the Artist Alley at Booth A4. I plan to be at the booth all 4 days interrupted only by a few events scheduled (see below). Mike Smith, the co-author/brewer of The Comic Book Story of Beer will be joining me Saturday and Sunday. Come talk drawing and beer with us!
I will be signing The Comic Book Story of Beer with Mike Smith at the PRH/Crown Booth #2210, Time: 3:30 pm
Comics in Real Life
Time: 4:00 PM – 5:00 PM
Location: BookCon @ NYCC – 500 W 36th Street
Post-NYCC Author Coffee Klatsch
Time: 11:00AM-1:00PM (revolving door event)
Location: Random House offices—1745 Broadway, NYC 10019(between 55th and 56th streets)
The original ink drawing of this image of Dr Strange, the Home Brewer, will be included in the NYCC Charity Art Auction benefiting St. Jude Children’s Research Hospital. The details are available at this link along with images of all the other contributions:http://www.newyorkcomiccon.com/Events/NYCC-Charity-Art-Auction/
The Charity Auction is Saturday night (10/8) at 6:45pm in room 1A18. Below is the B/W original:
In addition to selling books and original artwork at my Booth (A4), I also look forward to the opportunity to draw commissions. Below are some examples of 13th Age drawings. Thanks for your time and attention. Hope to see you at NYCC!
Here’s a piece of fan art celebrating the subject of Sonny Liew’s graphic novel The Art of Charlie Chan Hock Chye that is sending shockwaves through the very medium of comics itself! You gotta check this out, but don’t take my word for it, take it from NPR:
At once dizzyingly meta and deeply heartfelt, the book spans 80 years and in its complicated layering remind me of everything from “Maus” and “The Tin Drum” to, believe it or not, “Ulysses.”